Who is doing the music for man of steel

Having heard the soundtrack's themes come up multiple times in subsequent releases such as Batman v Superman: Dawn of Justice and Justice League, it is increasingly apparent that the work first composed by Zimmer is the best Superman theme created throughout the character's decorated history. The way it builds to a powerful and heroic moment aligns itself perfectly with the narrative Snyder worked so hard to create in Man of Steel.

Throughout the movie, viewers see Henry Cavill's Superman repeatedly bullied, pushed, beaten, and subjected to tragedy. Yet, for all the low moments, there is still a point where the hero rises above it all. Gone is the rousing nature of Williams' score, and here is instead a soundtrack that pays homage to the tragedy that has befallen Clark Kent throughout his early life, from spending years hiding his true self, to losing both of his fathers, to eventually embracing his abilities and flying higher than he ever thought possible.

When tying these threads together into one stunning piece of music, Zimmer's Superman theme in Man of Steel is a thing of beauty that reflects the journey of Cavill's Superman, before culminating in a thundering and towering amalgamation of heroism. Zimmer may have already proven himself to be one of the greatest film composers of his generation, but his work on Man of Steel shows he can reinvent a classic to the point where it supersedes the original. Snyder may or may not return to the DCEU in the future, especially with an upcoming Man of Steel reboot , but the Superman theme from Man of Steel will no doubt live long in the memory as one of the best to ever grace the big screen.

The Deluxe Edition of the soundtrack? Would it help if he toned down the synth for once and left the sound of his real orchestra untampered with?

The standout track on the whole score, though, is undoubtedly Earth. Those troublesome drums, meanwhile, are relegated from clashing noises to subtle background beats. After all, who needs 12 drummers when you can have five simple notes?

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Written by Ivan Radford. You'll have to wait and see…. Deep brass and more skipping percussion give a doom-laden atmosphere here. General Zod, played by the imposing Michael Shannon, is the fellow Kryptonian who is hell-bent on destroying Superman. But the Krypton's Last of this title is, given the reflective violin theme, is most undoubtedly Superman himself.

Rhythmically, this has to be one of Zimmer's most daring film scores. Even though the action is high-octane, the energy in the music is incredible. Again, and as you might expect for a track named 'Tornado', the sheer verve of Zimmer's score is blistering. When the lines between good and evil are drawn so clearly, conflict is inevitable. But when Zimmer has to create that conflict, he does it delicately, almost mysteriously.

Stabbing strings and more of that omnipresent booming percussion dominate things dominate here. Hope the drummer's getting paid by the minute. There's the hint of a helicopter in the opening crashes of this driving percussion masterclass.

It's interesting to note that even when Zimmer turns the dynamics down, the percussion is still as intricate and important as when it's at full blast. Bringing out the choral big guns makes this an elemental, human-sounding extract from the soundtrack - that is until the Wagner-esque lower brass has its way with it. Henry Cavill was originally in the frame to play Superman in the franchise's last instalment in , but he lost out to Brandon Routh.

But now he's finally gotten to play one of the most iconic roles in cinematic history. The ringing synth lines are back! This time, though, they're quite nicely buoyed by a low cello medley. One of Superman's key skills is flight. So when Hans Zimmer initially makes this track less than soaring, relying on slow, drone-like build-up, it's a surprise.